
At this point, seeing a new Woody Allen movie is like going to the dentist. You might be sentenced to hours of pain. You might escape with only a cleaning. I'm happy to say that his newest is an example of the latter.
You won't be too disappointed or too elated by the story of Vicky (Rebecca Hall) and Cristina (Scarlett Johansson)'s summer vacation in Barcelona and the hijinks that ensue. Both self-serving, over-analytical, sexually-misguided cardboard cut-outs of what women might be like in an alternative universe, Vicky and Cristina are approached within days of arriving by Don Juan (Javier Bardem) who in flawless English invites them to Ovieda for a good healthy boinkfest. His name might have just been Juan. But considering how broadly Bardem's character is written I'm surprised Allen didn't just call him Senor Honey Penis!
It's a testament to Bardem's skill that you immediately and consistently enjoy his character. Same goes for the fantastic Penelope Cruz who plays his unbalanced and violent ex-wife. They are worth the price of admission. In fact, the movie would have been spectacular if they had been the main characters. But no. This is a Woody Allen film and there are certain needs to be met. We need a titular Allen character for example. And if he isn't playing it BY GOD someone else will! This time the lucky actor is Brit thesp Rebecca Hall. Who I was not invested in for one moment. I got a whiff of "serious actor" from Ms. Hall which means her Juliet soliloquies are probably much better than her Diane Keaton impersonation. She came off as inveterate and frigid which led to complete dismissal of her character on my part. I doubt that was the point as the climax in third act depends on her emotional availability and your level of empathy for her.
A word on frigidity. I love Woody Allen. I auditioned for school with his opening monologue from Annie Hall. One of the first movies I remember seeing is Love and Death but whenever he brings up frigidity in women I always cringe. Cuz I'm like... "Maybe women just don't want to sleep with you because you're weird-looking. I don't know if you're the most authoritative voice on this subject." It's like Hitchcock's Marnie. It's not saying anything of narrative or thematic substance rather it's a window into the filmmaker's pathos. Is it too much to point out that this type of inadvertent dick-waving occurs when the career is on the downhill?
Come on now. It would account for Allen's constant and uncomfortable oogling of Scarlett Johansson, a former child actor who probably hasn't spoken to a human being outside the entertainment industry since she was 7 years old. You know how I know this? Because none of her characters nor her onscreen persona betray any kind of authenticity. Her pout, her inexpressive eyes, her overall blondeness has put her in the position of becoming Allen's Tippi Hedren. Beautiful and potentially iconic but utterly devoid of personality. Allen pursues her with a camera rather that himself because of his anatomical inadequacies. The past three films have been little more than excuses for men half his age (but easily a decade older than Johansson) to seduce and fornicate with her the way he would like to.
BOTTOM LINE: So here you get a movie where she makes out with two powerhouse actors. Who think they're making a actual movie. Not geriatric whack-off material.

7 comments:
what is mannerism?
the appearance of art.
has allen made a good film in the past twenty years?
the cycle of actors who have "made it big"... and then want to reward themselves for their success by answering woody's feeble call to arms is tedious to say the least.
and of course the films themselves are embarrassing bodice-ripping yarns of sex (yawn) between self-obsessed characters whom it is impossible to care about because they care only for themselves.
scarlett johansson isn't diane keaton, nor even mia farrow.
sickening personal proclivities aside, isn't it time to spend some more time producing something of merit besides a yearly travelogue of continental contretemps that seem to be edging ever closer to some kind of cheap cinemax soft-porn from the 80s.
here is what i like: art.
and artists.
of which you were once one of the finest.
with incredible contributions to the art of films for almost two decades-
and that included some of the best and most unique writing, direction and acting to be found, anywhere and anytime.
there is no expiration date on talent-
but art, methinks and passion are another matter...
and brings to mind what thomas jefferson said:
"The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants."
comfortably ensconced in his baroque european period-
of parlor games and peek-a-boo romance...
is it wrong to still hope for something fresh, with real spirit and charm from somebody who was once the master of those things.
vincent, in buffalo
http://louisebrooks.com
You know I almost worked with Scarlett Johansson this summer. And after I saw this movie I'm really greatful I didn't.
so does that mean i have permission now to dislike this movie? i just thought there was something wrong with me.
:s i'm looking forward to watching this...
I think Woody Allen should stop complaining about not being able to sleep with women. I mean, the guy did Mia fucking Farrow AND an adopted Asian a third his age or whatever. I mean, COME - ON!! There plenty of better-looking, non-slimy guys out there who are getting NOTHING at 20. I know about a dozen of them.
i haven't seen this yet...because i don't rush out to pay money for Woody Allen films.
But I appreciated your review...i was curious what you thought of Hall especially since all anyone talks about is Penelope Cruz.
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